Modern
                      scholarship has laid waste to pretty much every miracle
                      story found in
                    the bible: creation in six days, the parting of the Red Sea,
                    the falling of the walls of Jericho, and the stopping of
                    the sun. Even the resurrection has a scientific explanation
                    these days. One story that hasn’t fared so badly is
                    Noah and the Ark. There are actually several independent
                    accounts of the epic flood extant from the ancient world.
                    Scholars agree, however, that the flood could not have been
                    as all-encompassing as that found in Genesis. In The
                    Preservationist                    David Maine shows us that the debate about whether and how
                    the flood happened is pretty much beside the point.                   Each
                      chapter of The Preservationist leads off with a verse from
                      Genesis which is then amplified to give it flesh and
                    blood. In a novel that offers many small pleasures, the most
                    significant is the bringing to life of Noah. According to
                    Genesis, Noah was 600 years old when the rains began. In
                    Maine’s hands, Noah is a wizened bag of bones and just
                    about the crankiest old coot you could ever imagine. This
                    is especially evident in his relationship with his wife,
                    a woman about 550 years his junior. Noah goes for days without
                    paying attention to her at all, and, by her own telling,
                  thinks of her as no more than a piece of chattel.                    Maine
                      also gives us a finely imaginative, yet somewhat tongue-in-cheek
                    rendering of Noah’s relationship with God. Throughout
                    his neighborhood, Noah is known as a man who has visions.
                    When God finally decides that he needs to destroy the world
                    with a flood, he comes to Noah as a voice in his head. What’s
                    funny is that when God speaks to Noah, he sounds pretty much
                    like the voice of God you might hear in a TV sitcom. In addition,
                    God gives no more instruction about how to accomplish such
                    a large task than what we see in the bible. It’s left
                    to Noah (actually, he pretty much delegates all of the work
                    to his children) to figure out how to craft the gigantic
                    ship and gather all the animals from the ends of the earth.
                    Of course, Noah lives in the desert and gathering wood and
                    pitch to make a boat the size of three football fields is
                    no easy feat. Nor is figuring out how to transport wild lions,
                    tigers, and elephants from far-away lands. All of this is
                    accomplished, however, and much more, through a combination
                  of human ingenuity and help from Above.                   One
                      of the striking things about the account of Noah in Genesis
                      (at least to modern ears) is that none of the women
                    are named. Maine, who clearly has a feminist sensibility,
                    plays upon the misogyny of the Bible by simply referring
                    to Noah’s wife as ‘the wife.’ At the same
                    time, Noah’s daughters-in-law are purposefully given
                    names by Maine and major roles in the narrative. His playfulness
                    with the names and roles helps Maine raise awareness of women’s
                    place in ancient society (i.e. they did most of the work
                    and held very little of the power) without hitting us over
                  the head with it.                   The
                      one criticism I have with The Preservationist is that it
                      does not go beyond the traditionalist explanation for
                    why God felt it necessary to bring on the flood. In one chapter
                    we meet a group of people that, with construction on the
                  ark underway, have come out from the local village to mock
                  Noah. As
                  some in the crowd are 
                  heckling him, others are consorting with a prostitute right
                  out in  
                  the open. The scene has a funny, carnivalesque feel to it, yet
                  this                   
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