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                Levity 
  Sony Pictures, 100 Minutes 
  Commentary by Dr. Lee Ramsey  
                  Levity
                        - featuring the stellar cast of Billy Bob Thornton
                        (Manual Jordan), Morgan Freeman (Miles Evans), Holly
                        Hunter (Adele Easley), and Kirsten Dunst (Sofia) - has
                        earned major yawns from the professional movie critics
                        who can't stand it and sustained applause from those
                        who highly appraise it. Such ambiguous responses point
                        to the movie's value for the religious seeker, for the
                        film plumbs one of faith's most ambiguous themes - the
                        price of redemption. 
                     
  After serving twenty-two years in prison for killing a teenager in an armed
  robbery, Manual Jordan returns to the unnamed city where he committed the crime.
  In the parable-like nature of this film, the city could be anywhere and everywhere.
  Believing that he is beyond forgiveness (he does not want to be released from
  prison), Manual stumbles into a series of relationships that call into question
  his assumptions about sin and redemption. The street-wise preacher, Miles Evans,
  who runs a community center for inner-city youth, counsels the conscience-tormented
  Manual, "If you want to help yourself, try helping somebody else." This
  is exactly what Manual sets out to do by first becoming a kindly protector
  of Sofia, a hard-drinking, drug-abusing lost soul. Later he befriends Adele
  Easley, the sister of the boy Manual murdered. He attempts to assist her with
  the responsibility of raising her teenage son, whose friends and lifestyle
  sweep the son to the verge of violent destruction. 
           
  Such a cast of down-and-outers move in and out of the shadows of this movie
  like ghosts. Manual, the biggest ghost of all, looks in these relationships
  for the way to redemption, the way to recover his lost soul and atone for his
  crime, even though he doubts such forgiveness is really possible. At one point
  Manual approaches outright confession to Adele, who does not know his true
  identity as her brother's murderer, when he says to her, "You can help
  me." But he withdraws from the moment without making his confession.  
           
  Does Manual really want to help Adele, or Sofia, or are these relationships
  forged solely upon his own need for redemption? Can Adele actually offer forgiveness
  to Manual, once she discovers his identity, or must Manual look elsewhere -
  to God, to grace - for the redemption that he craves? At the climax of the
  film, Manual risks his own life to save Adele's son when attacked by gang members.
  Does such self-giving earn redemption for Manual, or is he attempting to repay
  a debt that is beyond his own ability to do so? After all, absolutely nothing
  will bring back the life of the one that he killed.  
           
          Such faith-filled, yet ambiguous questions drive this movie on long after leaving
  the theater. They give the seeker plenty to ponder, even the title of the movie
  itself. Is such a serious movie grossly misnamed ("Where's the levity," one
  critic asks?), or is Manual on the verge of receiving the lightheartedness
  that he desires? God is rarely invoked in the film, even less the gift of grace.
  The silence speaks. For all of Manual's torment begs him to look outside of
  himself, through and beyond the checkered relationships of his world to something
  or some-One who is more. 
           
  Maybe, in the end, Manual Jordan will discover his place by the river of redemption
  that his last name invokes. Then again, maybe he won't. Either way, this movie
  begs its viewers to stumble along with Manual towards that place where we can
  finally hear, as in the words of the Gospel of Luke, "Raise up your heads,
  because your redemption is drawing near."  
           
          Copyright ©2003 Dr. Lee Ramsey 
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