This exuberant prayer of greeting the new day with joy and dedication invites us into the immediacy of the Celtic Christian prayer tradition. Celtic prayer is at the heart of Celtic Spirituality. To pray these prayers coming from the Celtic lands of Ireland, Scotland, and Wales one is drawn into the mystery of God’s presence in all things and the joy of expressing that presence in a pattern of praise and blessing. The prayers passed down from before the 12th century and continuing in the oral tradition today are like faraway songs that continue to sing in the hearts of all who long for prayer and life to be woven together.

My interest in Celtic prayer came at a critical junction in my own spiritual journey. I had just begun to discover the great contemplative writers of the Christian tradition. I loved the call to “be still and know” and the experience of God’s presence in silence and solitude. I looked forward to morning meditations and times of retreats. All this changed, however, when I found myself the mother of two young sons and the coordinator of religious education at our local church.

When I’d rise early for prayer, little feet would come running in for breakfast. When I’d arrive early at work for a time of reflection, the telephone would start to ring. Like most people I tended to separate my prayer life from the other parts of my life. I was very far from the wisdom of Thomas Merton who said, "What I do is live. How I pray is breathe.”

It was in this time of struggle and imbalance that a friend offered me a small book of Celtic prayers and praises. There was something in the rhythm of these prayers that reminded me of the rhythm of life. They contain an awareness of God’s presence from the rising to the setting of the sun. Entwined with the reality of living, each action of the day becomes the essence of prayer. The transcendent holy One is a close companion as one prays:

Celtic ears hear God’s word spoken through the created world. The quiet earth expresses God’s peace. The river proclaims God's goodness. Like the Psalmist, one stands amazed that “the one who made the moon, made us likewise.” The sight of the new moon and the song of the morning lark become occasions of praise for the Lord of each living creature. Many of the Celtic prayers call us to look outside our window and discover the delight of an ordinary landscape transformed with a glimpse of God’s glory. Suddenly the sunset over the soccer field, the cool breeze on the walk to school become reminders that:

Praising God’s presence in creation opened my eyes to a new vision of the holy in the ordinary things of my life. Many of the Celtic prayers, especially those gathered in the Highlands and Island of Scotland in the last century, are offered while people go about the daily tasks of life. In the morning a mother kindles the fire by praying:

There are prayers for the farmer going out to sow the seeds, the weaver at the loom, the fisherman, and the crofter. Even the tools of ones work become holy if blessed and dedicated to God’s purposes. The prayer of the milkmaid is a call to recognize and claim the sacredness of our work.

As I began praying these prayers, I became inspired to write my own blessing prayers for the daily “handling of my hands.” In the tradition of the Celtic mothers, I blessed my children when they departed for school; I blessed my computer before I began a project; I learned to offer thanksgiving when I heard the first call of the morning dove. From Celtic prayer, I was experiencing the joyful freeing of the spirit when there is trust that everything is encircled and encompassed with God’s presence.

Our yearning for God’s encircling presence is expressed uniquely in the traditional Lorica prayers of protection. The most famous of these prayers, St. Patrick’s Breastplate, invokes all of God’s gifts to accompany us on our journey.

In this invocation, we are wrapping ourselves with the garment of Christ’s presence. This is the mystery of the incarnation in our own lives.

The rhythm of this incarnate life, the ebbs and flows, the twists and turns, the darkness and the light is the rhythm of Celtic prayer. It transforms our vision, stirs us to praise, and sets us out on the journey singing:

Copyright ©2004 Sylvia Maddox

FOOTNOTES

1. Alexander Carmichael, Carmina Gadelica, Lindisfarne Press 1992, p. 188.

2. Carmina Gadelica, p.204

3. Carmina Gadelica, p. 45

4. Carmina Gadelica, p. 93

5. St. Patrick’s Breastplate, att. Patrick (372- 466) tr, Cecil Frances Alexander (1882-1885)

6. Irish, ca, 700 versified Mary Elizabeth Byrne (1880-1931), The Church Hymnary, Oxford University Press, 1927, (The Hymnbook 1982, p 488)

REFERENCES

A.M. Allchin, Praise Above All, University of Wales Press, Cardiff, 1991.

Bradley, Ian, The Celtic Way, Darton, Longman and Todd, London, 1993.

Mary C. Earle and Sylvia Maddox, Praying with the Celtic Saints, Saint Mary’s Press, Winona, Minnesota, 2000.

Alexander Carmichael, Carmina Gadelica, Lindisfarne Press, 1992.

Esther de Waal, The Celtic Way of Prayer, Doubleday, 1997.

James P. Mackey, An Introduction to Celtic Christianity, T and T Clark, Edinburgh, 1995

J. Philip Newell, Listening for the Heartbeat of God, Paulist Press, 1997.

Noel Dermot O’ Donoghue, The Mountain Behind the Mountain, T and T Clark, Edinburgh, 1993

John O’Donohue, Anamcara, Harper Collins, New York, 1997.

Philip Sheldrake, Living Between Worlds, Cowley Publications, Boston, 1995